Wednesday, June 4th, 2014
The Short Take:
I was hesitant to pick up this book. The title and cover art just looked a bit icky-romance for me. However this book is a perfect representation of that old adage about covers and judgement. With two interwoven story lines — more than a century apart — revolving around the legend of the Selkies, this is a much more interesting novel, and not a romance at all.
Gifford’s first novel is set in the Scottish Outer Hebrides, both in the recent past and more than 100 years earlier. She does an excellent job of conveying the dramatic atmosphere of this cold, desolate, yet also dramatically beautiful environment.
She does an equally fine job of portraying her three main characters: Ruth, the emotionally damaged wife trying to build a life and a B&B in 1992; Alexander Ferguson, the young reverend from the 1860s who has a passion for mermaids and selkies; and Moira, his maid, who is equally passionate about destroying the man who brought misery and death to her family.
History, legends, and natural history are seamlessly woven into their stories, further enriching this multi-faceted reading experience. However, it is the empathy you will feel for these characters that ultimately wins you over.
A Little Plot:
Ruth and her husband are renovating an old parsonage into a bed and breakfast when the body of an infant is found beneath the floorboards, its lower legs fused together like a mermaid or seal. Ruth is determined to solve the mystery of this small baby as well as learn the hidden truth about her own connections to this isolated community. Finding the writings of the Reverend Alexander Ferguson is just a start.
For more about Gifford and her novel, click here. You’ll notice this book also comes with a slightly different title and cover. Not sure it’s right either — looks like a horror story.