Archive for April, 2019

Supermarket

Tuesday, April 30th, 2019

By Bobby Hall

The Short Take:

Hall is imaginative and the story line of this novel about a would-be-writer working in a grocery story is fresh, but the writing of this psychological thriller felt like a first draft.

Why?

I was attracted to this book by its cover, which reminded me of my old paperback copy of Catcher in the Rye, with its yellow type of a plain red background. Plus it was a debut novel and I liked the premise. I can’t say I hated this novel because I did enjoy the story arc and the ideas behind it. However, the writing lacked any kind of polish.

Before reading, I did not know Bobby Hall is also a rapper who goes by the name Logic. I listened to some of his numbers online and he certainly can write tighter, better prose. I have to wonder why his editor and publisher didn’t work to refine this work. Perhaps they figured purchases by his music fans alone would take care of their bottom line? If so, they did him a great disservice in the name of financial gain.

In his acknowledgements he admits to having a short spurt of binge reading and then deciding to write a novel. He was gently advised he couldn’t do it. I can’t agree with that assessment but a little more work and care would have elevated this novel substantially.

A Little Plot:

Slacker writer Flynn is deeply depressed after a big breakup and is living at home. Miraculously he gets a huge publishing offer for a novel that takes place in a supermarket, so he gets a job in a supermarket for material.

The Clockmaker’s Daughter

Friday, April 5th, 2019

By Kate Morton

The Short Take:

This mystery wrapped in a ghost story has all the right elements: overcoming adversity, false love, true love, tragedy, lost treasure. While there are quite a number of important characters and the story hops through times from 1862 to the present, Morton pulls it all together.

Why?

Morton’s charming language and fresh choices in verbs and adjectives make her novels a delight to read. However, the many characters and time settings of this particular novel almost had me pulling out the red yarn and pinning connections. I rather wished she’d eased up on the complexity of her story; with fewer characters I could get to know the remaining ones much better, and I did want to know them. They deserved the attention.

The point in common for every one and every time within this novel is a charming house on the upper Thames River called Birchwood Manor. An artists retreat, a school for young girls, refuge for a young family during World War II, inspiration for a haunted man, and site of a continuing mystery–it plays many roles but feels like “home” to all it serves.

The chance discovery of an artist’s satchel is the impetus driving all that follows, with many flashbacks to events that took place far in the past as well as things still happening at Birchwood Manor. The items in that satchel, as well as the bag itself, connect to different stories in Birchwood Manor’s history.

Morton is a skillful storyteller. In lessor hands this could be a real mess. However, I think it would have been much better if she’d narrowed her focus.

A Little Plot:

Professional archivist Elodie is handed a satchel that has been lost for more than 150 years. One of its contents is an artist’s sketchbook with a drawing of a house that looks exactly like the one her mother described in her fairy tales. The coincidence, and Elodie’s strong sense of familiarity with the place, sends her on a search. As we go with her, Morton reveals the house’s past through its inhabitants, including its ghost.

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