Archive for December, 2014

The Children Act

Friday, December 19th, 2014

By Ian McEwan

The Short Take:

McEwan is such a gifted writer you know you are in for a spellbinding tale any time you pick up one of his novels. This one is no exception. A respected judge of England’s family court realizes her passion for her job has repercussions she didn’t anticipate.


McEwan’s Fiona Maye is a middle-age woman, highly respected by her peers in the judicial system and satisfied with her life until her husband makes a shocking request. At the same time, a life-or-death court case affecting a near-adult draws her personal involvement. These two events lead her to question a lifetime of choices about family and career.

With delicacy and insight, McEwan traces Fiona’s emotional journey through uncharted territory. He also explores the ethical and legal quandaries that arise when religious beliefs run counter to life-saving medical intervention. The arguments for both sides of the issue were beautifully addressed in the discussions between Fiona and the ill 17-year-old whose faith was so strong.

It’s a fabulous read.

A Little Plot:

Fiona’s husband asks for permission to have an affair — to enjoy one last blast of passion before they slip into old age together. Fiona is floored. And furious. And unsure.

At the same time she must rule whether the courts can force an almost-adult to undergo a life saving blood transfusion despite his and his parent’s beliefs as Jehovah’s Witnesses. Fiona feels confident in her decision, but is decidedly put off balance by what happens next.

For more about Ian McEwan and his writing, click here.

Nora Webster

Sunday, December 14th, 2014

By Colm Tóibín

The Short Take:

This novel moves along quietly yet really packs a wallop. It revolves around Nora, a new widow mired in grief, who struggles to reconnect to her life and her family. It’s a wonderful character study, perfectly couched in time and place.


I was reminded of Joan Didion’s The Year of Magical Thinking. Yet while the pain, journey, and quality writing were similar, that’s where the comparison ends. Didion’s memoir examines the sorrow of a woman of means and with many connections in the modern day. Fictional Nora is trapped in a painfully small Irish town in 1960/70s Ireland, struggling to make ends meet for her family.

These differences make it much easier to relate to Nora’s uncertainty, missteps, and concerns — she’s closer to most of us.

There’s no big crisis, no shocking reveal; just a series of small steps forward and back as Nora tries to establish a new balance for herself and her children. Sometimes you’ll find yourself impatient with her lack of perception, other times you’ll applaud her bold moves. She’s human. She’s real. She’s worthy of your attention.

The Short Take:

Nora has lost her beloved husband, who gave her a life a freedom as well as being her soul mate. Now, with two daughters leaving the nest and two sons still at home, she must find a way to pay the bills and rebuild her life.

At first resenting the kindness of relatives and friends wishing to help, she begins to find her footing in work and — especially — music. One tentative step at a time.

Colm Tóibín is a highly acclaimed writer. You can learn more about him and his books by clicking here.


The Paying Guests

Tuesday, December 2nd, 2014

By Sarah Waters

The Short Take:

This is possibly the slowest moving book I have ever read. Granted, it builds up a good head of steam for a climactic act of violence, but the payoff isn’t worth the slog to me.


Maybe this book is just too much of a good thing. The writing is solid, the sense of time and place are impeccable (post WWI London). However, all this attention to detail makes things really drag. In addition, the central character spends countless pages agonizing over one thing or the other.

I suspect I would have loved this book if it were half as long. As it is, I spent far too much time speed reading along. To me, reading like that is a not pleasure but a duty.

A Little Plot:

Once fairly well off, a widow and her almost-a-spinster daughter, Frances, have to take in lodgers to make ends meet. A young couple from the rising middle class, Len and Lil, move into several rooms upstairs. At first Frances and her mother are unsure how to act around these paying guests. Then Frances finds herself attracted to Lil and seeking her company.

Complications ensue.

Sarah Waters has written a number of well-received books. You can visit her website by clicking here.


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December 2014