August 17th, 2014
The Short Take:
Bawdy and outrageous, this wild romp mashes up The Merchant of Venice and Othello, with a dash of A Cask of Amontillado. Moore is a very naughty boy. But also very funny.
Who but Moore would dare such shenanigans? Who but Moore would dream of combining two of Shakespeare’s most well-known plays into one highly cheeky and readable satire? Nominally a sequel to Moore’s Fool, where King Lear was the victimized classic, you needn’t have read that book to enjoy this one.
This volume continues the exploits of that eponymous Fool, only now he’s an ambassador to Venice. You also don’t need more than a vague knowledge of the two Shakespeare plays Moore twisted into the one plot to enjoy this outing. In fact, too much familiarity might confuse you.
There’s plenty of ribald language and sexual innuendo, so don’t go here if you’re easily offended by either foul language or Shakespeare gone wild. However if you’re looking for a good time and a lighter read, this one could be for you.
Like any good satire, there’s also parallels to the present day and the power of the “military-industrial complex,” as Eisenhower warned.
Of course, if you want Moore at his very best, you still can’t beat Lamb: The Gospel According to Biff, Christ’s Childhood Pal. One of my all-time favorites.
A Little Plot:
Fool is supposed to be the victim of a murder plot — walled up alive (Sound familiar? It should.). Of course, that would make for a very slim book, so he escapes and devotes all his energies to seeking revenge. Along the way, he joins forces (somewhat) with Shylock, who also seeks revenge.
There’s plot twist after plot twist, with plenty of references to codpieces, plus a mysterious sea creature. And, don’t expect Moore to blindly follow Shakespeare. When you combine two plays, things are naturally — deliciously — different.
If you want to know more about Moore, click here.